Concerto for Violin and Orchestra No. 1 Op. 35
The wealth of Szymanowski works for violin from this period is due to his friendship with PaweÅ‚ KochaÅ„ski, who became Szymanowski’s favourite violinist, either premiering his works or serving as their dedicatee – and often both. The Violin Concerto Op. 35 (the first of two) was composed in 1916. Due to its experimental harmony and orchestral soundscape, it is regarded as one of the very first modern violin concertos. …
Troisième suite pour orchestre ‘Suite villageoise’ (Sătească) Op.27
The enchanting atmosphere that emanates from Enescu’s music springs from his native Moldavian roots, and above all from that emotional core which Enescu described as ‘sadness amidst joy’, as an ‘indefinable yet profoundly moving longing’. This is encapsulated by the term ‘dor’, which can only be partially captured by descriptions such as nostalgic, sorrowful or dreamy. It finds its most direct expression in the ‘doinas’, the slow and sorrow-filled melodies of the Romanian Gypsies, and time and again this emotionally charged world of expression held a magical fascination for Enescu. …
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Démophoon – tragédie lyrique en trois actes (French libretto by J.F. Marmontel)
The tragédie-lyrique Démophoon premiered on December 2, 1788, at the Académie royale de musique in the Théâtre de la Porte Saint-Martin. … Critics lamented the weaknesses of the libretto, but also the complex harmony and melodic structure … Edward J. Dent’s assessment some 150 years later is correspondingly positive: “Cherubini created a French opera, ‘Démophoon,’ which is as masterful in its technical perfection as any work by Mozart. If ever a work deserved the epithet ‘classical,’ it is ‘Démophoon’.” …
New Releases in June 2026
Orchestra
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Bax, Arnold
20,00 €Overture to Adventure for orchestra
No. 6197
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Roussel, Albert
45,00 €Deuxième Symphonie en si bémol Op. 23
No. 6200
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Gevaert, François-Auguste
26,00 €Danses célèbres des Fondateurs de l‘Opéra français, 1re et 2e Suite – Gluck (disposés en suite d’orchestre)
No. 2668
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Foerster, Josef Bohuslav
24,00 €Festive Overture (Slavnostnà Ouvertura) op.70
No. 6182
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Herschel, Jacob
24,00 €The Periodical Overture in 8 parts No. 26 (Edited by Barnaby Priest and Alyson McLamore / New print)
No. 6208
Orchestra
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Jadassohn, Salomon
45,00 €Sinfonie Nr. 2 in A-Dur op. 28
No. 6165
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Enescu, George
43,00 €Troisième suite pour orchestre ‘Suite villageoise’ (Sătească), op. 27
No. 6207
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Fitelberg, Grzegorz
27,00 €In der Meerestiefe (W głębi morza) Op.26 (Musical Picture in the Form of an Overture)
No. 6206
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Valen, Olav Fartein
31,00 €Symphony No. 3, Op. 41
No. 6189
Solo & Orchestra
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Stojowski, Sigismond
45,00 €Piano Concerto No. 2 in A flat major ‘Prologue, Scherzo et Variations’ Op. 32
No. 6188
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Reinecke, Carl
34,00 €Concerto for Flute and Orchestra Op. 283
No. 6202
Solo & Orchestra
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Szymanowski, Karol
30,00 €Concerto for Violin and Orchestra No. 1, Op. 35
No. 6204
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Burkhard, Willy
26,00 €Konzert für Violine und Orchester op.69
No. 6205
Opera
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Cherubini, Luigi
70,00 €Démophoon – tragédie lyrique en trois actes (full opera score, French libretto by J.F. Marmontel)
No. 2173
Solo Piano
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D’Haene, Rafael
18,00 €Negen stukken voor piano (Nine Pieces for Piano) op. 1
No. 2670
Back to the Origins and Toward the Unknown …
Repertoire & Opera Explorer, Music publisher of rare music scores. Its underlying idea was born from the experience that too many great works of music are unknown, forgotten, underrated and unperformed. Moreover, most of this neglected music has been commercially unavailable for a long time.
The work of Repertoire Explorer extends far beyond the needs of collectors. The series aims to change the world of music one step at a time. For this reason, we also produce first editions of neglected masterworks, that should have been published long ago. These are always accompanied by the complete set of performance material.
Every score is introduced with a scholarly preface (English, German), most of which are available online for preview. All this is made possible by a worldwide network of dedicated musicians, musicologists, and music-loving amateurs contributing in many different ways to the success of the series.
Let us know if there is a work that you’ve been searching for in vain. If it is in the public domain, and if there is a score (and perhaps parts) in acceptable condition, we can usually publish it and make it available quite quickly. If it is still under copyright protection, you may be able to help us negotiate with the rightsholders. Some publishers such as Universal Edition in Vienna have agreed to collaborate with us on a broad basis. It is our hope that such examples will inspire others to join us in promoting great music that will otherwise never enter the repertoire.
Look through our catalogue and be inspired.
Reviews
Call for preface writers and translators
All our scores are introduced with a scholarly preface in English and German. These are typically written by musicians, musicologists and music lovers from all over the world in support of our main endeavour, namely to publish unknown, forgotten, underrated and unperformed great musical works that have been commercially unavailable for many years.
We are now looking to expand our network. Please contact us if you are interested in writing or translating the preface for one of the following titles:
Updated 5 July 2026
| COMPOSER | TITLE |
|---|---|
| Antipow, Konstantin | Allegro symphonique Op.7 |
| Balakirev, Mily | Ouverture for ochestra Op.6 |
| Balakirev, Mily | Piano Concerto No.1 Op.1 |
| Bantock, Granville | Russian Scenes für großes Orchester |
| Berwald, Franz Adolf | The Battle of Leipzig |
| Braunfels, Walter | Serenade Op.20 |
| Caudela, Eduard | Moldava |
| Conus, Jules | Scènes Enfantines |
| Davidoff, Carl | Suite pour orchestre Op.37 |
| Enescu, George | Octuor Op.7 |
| Fairchild, Blair | Légende Op.31 |
| Falla, Manuel de | El Retablo de Maese Pedro |
| Falla, Manuel de | La Vie breve |
| Foerster, Josef Bohuslav | Nonet Op.147 |
| Gedalge, André | Symphony No.3 |
| Gedalge, André | Piano Concerto Op.16 |
| Hamerik, Asger | Erntetanz Op.37 für Frauenchor und Orchester |
| Hartmann, J.P.E. | Liden Kirst Op.44 |
| Hausegger, Siegmund von | Todtenmarsch |
| Heger, Robert | Zweite Symphonie Op. 21 |
| Heger, Robert | Verdi-Variationen für Orchester Op. 23 |
| Heger, Robert | Tango für Orchester Op. 25a |
| Hofmann, Heinrich | Cantate für Altsolo, Chor und Orchester Op.64 |
| Ives, Charles | Ragtime Dances for theater orchestra |
| Ives, Charles | Symphony No.2 |
| Kämpf, Karl | Liebeslied Op. 96. |
| Karlowicz, Mieczyslaw | Rebirth Symphony Op.7 |
| Miaskovsky, Nikolai | Ouverture |
| Nussio, Otmar | Folclore d'Engadina, Suite per orchestra |
| Paderewski | Piano Concerto Op.17 |
| Pergolosi, Giovanni Battista | Serva Padrona |
| Peters, Guido | Octett in vier Sätzen |
| Prokofiev, Sergei | Chout Suite Op.21a |
| Prokofiev, Sergei | Die Liebe zu den drei Orangen |
| Prokofiev, Sergei | Sinfonietta Op.5/48 |
| Prokofiev, Sergei | Le Pas d'acier |
| Raff, Joachim | Festouvertüre für grosses Orchester Op. 117 |
| Reinecke, Carl | Zenobia-Ouvertüre |
| Reuss, August | Symphonischer Prolog |
| Reuss, Heinrich | Vierte Symphonie op.30 in A-Dur |
| Rietz, Julius | Konzertouvertüre op.7 |
| Rietz, Julius | Lustspielouvertüre Op.18 |
| Rimsky-Korsakov, Nicolai | Mlada suite |
| Sekles, Bernhard | Serenade für 11 Solo-Instrumente Op.14 |
| Sulek, Stjepan | Concerto Classique |
| Taubert, Ernst Eduard | Suite D-Dur in fünf Sätzen Op. 67 |
| Wunsch, Hermann | Kammerkonzert für Klavier und kleines Orchester Op.22 |
| Zilcher, Hermann | Konzert in h-Moll für Violine und Orchester Op.11 |
Peter Dietz (in charge for prefaces)
pdietz@musikmph.de
Phone +49 (0)89 52 20 81
Notes for authors & translators:
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