REPERTOIRE & OPERA EXPLORER
New in March 2025
Polish Rhapsody Op. 25
Of Polish-Jewish descent, Grzegorz Fitelberg was born in 1879 in Daugavpils and died in 1953 in Katowice. Grzegorz’s musical journey started studying composition with Zygmunt Noskowski and violin with Stanisław Barcewicz at the Musical Institute in Warsaw. Although his father, Hozjasz Fitelberg was a military musician,he did not follow in his footsteps. Upon graduation, he competed in solo competitions and composed. Starting as a concertmaster for the Warsaw Philharmonic, he eventually became their conductor. …
Frithjof op. 23, Szenen aus der Frithjof-Sage von Esaias Tegnér für Männerchor, Solostimmen und Orchester
Today, Max Bruch is considered one of the forgotten composers—a stark contrast to his popularity during the second half of the 19th century, when he was regarded as “one of the most important and versatile composers of the present day.”¹ However, one of his numerous works, the Violin Concerto No. 1 in G minor, Op. 26, has remained part of the select canon of its genre into the 21st century. It is an integral part of the repertoire of the great violin virtuosos of both past and present, standing alongside the violin concertos of Ludwig van Beethoven,…
Sämtliche Lieder in drei Bänden, Band 2 (Kritische Neuausgabe nach den Manuskripten und Erstdrucken von Wolfgang Müller-Steinbach / new print)
While Draeseke’s symphonic oeuvre, his chamber music and his choral works have become more and more widely known thanks to the tireless and commendable work of the International Draeseke Society (IDG, since 1986), his songs * remain virtually unnoticed. This is probably mainly due to the fact that some of them are difficult to access and are not always available in error-free prints. Fortunately, the board and members of the IDG have responded positively to my suggestions for a new print …
Der Sturm. Incidental Music to William Shakespeare’s play The Tempest
Willem Pijper is considered one of the most important Dutch composers of the early 20th century. He was a man of many hats: composer, music critic, and teacher. Biographical and analytical texts from the mid-twentieth century to today about the musician all tell the same story: Pijper is seen as an eclectic musician, with a large following of dedicated pupils from his time as a professor and being influenced by Freemasonry and astrology. His compositions, while certainly not the most dissonant, atonal, or “modern” by today’s standards, represent an important part of the history of twentieth-century music …
Orchestra
-
Stamitz, Johann
The Periodical Overture in 8 parts No. 12 (Edited by Barnaby Priest and Alyson McLamore / new print)
No. 6014
-
Miaskovsky, Nicolai
Alastor – Poème d’après Shelley op. 14 for orchestra
No. 6004
-
Winkler, Alexandre
En Bretagne, Ouverture-Fantaisie pour orchestre Op. 13
No. 6006
-
Clementi, Muzio
Sinfonia in si bemolle Op. 18 No. 1 for chamber orchestra
No. 4916
Orchestra
-
Prokofiev, Sergei
The Meeting of the Volga and the Don Op. 130, Festive Poem for orchestra
No. 6008
-
Dubois, Théodore
Esquisses Orchestrales
No. 6031
-
Fitelberg, Grzegorz
Polish Rhapsody for large orchestra, Op. 25
No. 6030
-
Børresen, Hakon
Mød Doden (Towards Death) & Nordiske Folketoner (Nordic Folk Tones from Iceland and the Faroe Islands) for string orchestra
No. 6023
Opera / Voice & Orchestra
-
Roger-Ducasse, Jean
Orphee, Mimodrame Lyrique en trois actes (full opera score in 2 volumes with French text)
No. 2158
-
Pijper, Willem
Der Sturm (Incidental music to Shakespeare’s play The Tempest)
No. 6022
-
Brahms, Johannes
Liebeslieder, Neun Walzer aus Op. 52 und 65 for voice and orchestra (selected and orchestrated by the composer / German libretto)
No. 6002
Choir/Voice & Orchestra
-
Bruch, Max
Frithjof op. 23, Szenen aus der Frithjof-Sage von Esaias Tegnér für Männerchor, Solostimmen und Orchester (with German libretto)
No. 6007
-
Pfohl, Ferdinand
Twardowsky. Rhapsody for large orchestra and male choir with mezzo-soprano solo op. 10
No. 6003
Chamber Music
-
Draeseke, Felix
Sämtliche Lieder in drei Bänden, Band 2 (Kritische Neuausgabe nach den Manuskripten und Erstdrucken von Wolfgang Müller-Steinbach)
No. 4982
Chamber Music
-
Van Damme, Jan Hendrik
String quartet #1, “Pollock” (Score & parts / New print)
No. 2654
Beyond the Waves
-
Vierne, Louis
Sonate pour violon et piano en Sol mineur Op. 23 (Piano Performance Score & part)
No. 5636
-
Juon, Paul
Arabesken, kleines Trio für Oboe, Klarinette und Fagott op. 73 (score & 3 parts)
No. 5637
Beyond the Waves
-
Bortkiewicz, Serge
Four pieces for violin and piano Op. 63 (Piano Performance Score & part)
No. 5638
Back to the Origins and Toward the Unknown …
Repertoire & Opera Explorer, Music publisher of rare music scores. Its underlying idea was born from the experience that too many great works of music are unknown, forgotten, underrated and unperformed. Moreover, most of this neglected music has been commercially unavailable for a long time.
The work of Repertoire Explorer extends far beyond the needs of collectors. The series aims to change the world of music one step at a time. For this reason, we also produce first editions of neglected masterworks, that should have been published long ago. These are always accompanied by the complete set of performance material.
Every score is introduced with a scholarly preface (English, German), most of which are available online for preview. All this is made possible by a worldwide network of dedicated musicians, musicologists, and music-loving amateurs contributing in many different ways to the success of the series.
Let us know if there is a work that you’ve been searching for in vain. If it is in the public domain, and if there is a score (and perhaps parts) in acceptable condition, we can usually publish it and make it available quite quickly. If it is still under copyright protection, you may be able to help us negotiate with the rightsholders. Some publishers such as Universal Edition in Vienna have agreed to collaborate with us on a broad basis. It is our hope that such examples will inspire others to join us in promoting great music that will otherwise never enter the repertoire.
Look through our catalogue and be inspired.
Reviews
Call for preface writers and translators
All our scores are introduced with a scholarly preface in English and German. These are typically written by musicians, musicologists and music lovers from all over the world in support of our main endeavour, namely to publish unknown, forgotten, underrated and unperformed great musical works that have been commercially unavailable for many years.
We are now looking to expand our network. Please contact us if you are interested in writing or translating the preface for one of the following titles:
Updated 4 April 2025
COMPOSER | TITLE |
---|---|
Achron, Joseph | Golem for chamber orchestra |
Adam, Charles Adolphe | Messe solenelle |
Brandts-Buys, Jan | Tancred for cello and small orchestra Op. 35 |
Braunfels, Walter | Konzert für Orgel, Knabenchor und Orchester Op.38 |
Büttner, Paul | Ouvertüre in h-Moll |
Caudela, Eduard | Moldava |
Davidoff, Carl | Suite pour orchestre Op.37 |
Erdmannsdörfer, Max | Prinzessin Ilse overture |
Erkel, Franz & Beni, Egressi/ orch. Liszt | Szozat und Hymnus |
Glazunov, Alexander | Chopiniana |
Hausegger, Siegmund von | Todtenmarsch |
Heger, Robert | Zweite Symphonie Op. 21 |
Heger, Robert | Tango für Orchester Op. 25a |
Heger, Robert | Verdi-Variationen für Orchester Op. 23 |
Kämpf, Karl | Liebeslied Op. 96. |
Klengel, Julius | Cello Concerto No.2 Op.20 |
Klengel, Julius | Cello Concerto No.1 Op.4 |
MacDowell, Edward | Two Fragments: Die Sarazenen / Die schöne Alda |
Moeran, Ernest John | Concerto for Violin and Orchestra |
Moeran, Ernest John | Rhapsody in F sharpe for Piano and orchestra |
Moór, Emanuel | Improvisationen über ein eignes Thema Op.63 |
Nussio, Otmar | Folclore d'Engadina, Suite per orchestra |
Paine, John Knowles | Poseidon und Amphitrite |
Palmgren, Selim | Métamorphoses no. 3 op. 41 |
Peters, Guido | Octett in vier Sätzen |
Popper, David | Cello Concerto Op.24 |
Prokofiev, Sergei | Suite du Ballet "Chout" Op.21bis |
Prokofiev, Sergei | Herbst op.8 for orchestra |
Rabaud, Henri | Mârouf, Savetier de Caire |
Rabaud, Henri | Divertissement sur des Chansins Russes Op.2 |
Raff, Joachim | Festouvertüre für grosses Orchester Op. 117 |
Reuss, August | Symphonischer Prolog |
Reuss, Heinrich | Vierte Symphonie op.30 in A-Dur |
Roger-Ducasse, Jean | Variations plaisantes sur und Thème grave |
Różycki, Ludomir | Pan Twardowski Op. |
Saint-Saëns, Camille | Symphonie Nr.2 in a-Moll Op.55 |
Schumann, Georg | Symphonie Nr.2 in f-Moll Op.42 |
Sigwart, Botho | Hektors Bestattung Op. 15 |
Strong, George Templeton | Songs of an American Peddler |
Svendsen, Johan Severin | Sigurd Slembe Op. 8 |
Szymanowski, Karol | Mandragora Op.43, Pantomime |
Taubert, Ernst Eduard | Suite D-Dur in fünf Sätzen Op. 67 |
Weill, Kurt | Quodlibet for orchestra |
Windsperger, Lothar | Konzert für Violine und Oprchester Op. 39 |
Wüllner, Franz | Der 127. Psalm Op. 40 |
Wunsch, Hermann | Kammerkonzert für Klavier und kleines Orchester Op.22 |
Zemlinsky, Alexander | Lyrische Symphonie Op.18 |
Zilcher, Hermann | Konzertstück in einem Satz für Violoncell und kleines Orchester, Op. 21 |
Zilcher, Hermann | Klage, Konzertstück für Violine und kleines Orchester, Op. 22 |
Zilcher, Hermann | Konzert in h-Moll für Violine und Orchester |
Peter Dietz (in charge for prefaces)
pdietz@musikmph.de
Phone +49 (0)89 52 20 81
Notes for authors & translators:
Download PDF > > HERE