Die Entführung aus dem Serail oder Belmont und Constanze, Singspiel in 4 Akten, ed. by W. Antesberger (Klavierauszug, deutsches Libretto)
André, Johann
40,00 €
André, Johann – Die Entführung aus dem Serail oder Belmont und Constanze
Singspiel in 4 Akten, ed. by W. Antesberger (Klavierauszug, deutsches Libretto)
Libretto by Christoph Friedrich Bretzner
Piano reduction and preface by Wolfgang Antesberger
Extent of score: 178 pp.
Johann André’s Belmont und Constanze is a three-act Singspiel first performed in 1781 at the Döbbelin Theatre in Berlin. The libretto by Christoph Friedrich Bretzner later provided the textual basis for Wolfgang Amadeus Mozart’s celebrated Die Entführung aus dem Serail. André’s version comprises fifteen musical numbers – an overture, arias, duets, quartets, and choruses – distinguished by a lucid formal design and well-balanced dramatic structure. The score demonstrates André’s sensitivity to affective nuance, achieved through an economy of means and a lucid, song-like idiom, most notably in the duet for Constanze and Blonde, “Hoffnung, Trösterin im Leiden.”
Compared with Mozart’s later setting, André’s instrumentation is more modest in scale yet refined in sonority and contrapuntal texture. The orchestra consists of two violins, viola, violoncello, two flutes, two oboes, two bassoons, two horns, two trumpets, and timpani. Particularly striking is André’s restrained use of so-called “Turkish” sonorities and his reversal of the male voice types familiar from Mozart’s later setting: here, Osmin is written for a tenor, while Pedrillo assumes a baritone range.
Contemporary reports attest to the opera’s favourable reception, and it was soon issued in a piano reduction. In Belmont und Constanze, André integrates elements of the classical vocal tradition with the aesthetic principles of the German Singspiel—clarity of declamation, natural prosody, and immediacy of expression. The work thus represents a significant stage in the evolution of bourgeois musical theatre in the decades preceding Mozart, marking a significant link between the late Enlightenment Singspiel tradition and the emerging Classical opera of Mozart’s generation.
(Wolfgang Antesberger)
read more > HERE
| Score Number | 2153b |
|---|---|
| Edition | Opera Explorer |
| Special Edition | Edition Stiftung International |
| Genre | Opera |
| Pages | 202 |
| Size | 210 x 297 mm |
| Printing | First print |
| Specifics | Vocal Score with German libretto |
